You see I'm going to show the case of an actor with my tenure in Los Angeles This is someone I'm nothing like junior IMTA in high school and I'm in plays in the drama. People say I'm very good at all! Because I m host.I 'a comedian, actor, singer, dancer, works, I say I'm good but I always want better. In a week or two we will start our classes of intense preparation for the showcase, but if I practice for all day every day. So my question is what I do at home that can make me a better actor or an actor more believable? Also some audition tips, or advice for acting in general?
The two things that make a great actor is the ability to live in imagination and the ability to allow the life to be transferred to a hearing. What you can practice at home is to create imaginary circumstances. If you have the part to be a hearing with the already large if not, you can have a set of circumstances and work for them. For example, say you're an audition with a monologue about a boy who decides to flee his family cruel and join the circus. I certainly hope that your family is not cruel, (but if you were then you have to do any research.) The end result is a great actor should be able to really know how it feels to be in the shoes of the character. The ability to create an emotional life is something you can work at home. script will do the rest. The writer give the words to say, but make them credible is the creation of emotional life and the only proper way is to actually experience what the character is living. Here it is, I think, the best way to do it. Make a list of things that are important to you, your loved ones, animals, everything that has real and profound meaningful to you. Then, fantasize, or dream of a situation that could create the feeling of the character is experiencing. I could fantasize that my best Ganged friend and suddenly everyone is against me. I could imagine all the things mean that they will do for me, so I felt so degraded, I had no forced to abandon everything I know. Heavy, eh? After you master the ability to consistently produce an emotion, they move to another and another until you can produce no emotion to some degree the circumstances require. Remember to work across the spectrum of emotions from anxiety to anger to joy and love. And I remember no matter how emotionally involved you get when you are practicing or Ado acting that is all "Nothing much." In other words, not real, we are pretending.
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